For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
All the tests have been shot with the Arri Alexa Mini LF Camera, since it is a standard in the sector and allows us to shoot in various sensor sizes taking into account the different coverages for which each lens was designed.
The Full Frame lenses have been shot at 4.5K, the spherical Super 35 at 2.8K and the anamorphic Super 35 at 2K.
