Oscars 2024 camera, lenses and reels! 1/31/2024, 12:00:00 AM

Here is all the information about the nominees for the Oscars 2024.

Not only DoP, camera and lenses used, we have also uploaded to Reels all the teaser of the films so you can see in action the lenses that have been used for each one. 

Which one is your favorite?

“All Dirt Roads Taste of Salt”. DP: Jomo Fray. Camera: ARRICAM LT. Lenses: ARRI Master Primes

 

“All of Us Strangers”. DP: Jamie D. Ramsey. Camera: ARRICAM ST. Lenses: ARRI Master Primes

 

“Anatomy of a Fall”. DP: Simon Beaufils. Camera: ARRI ALEXA Mini LF. Lenses: Anamorphic Hawk V-Lite

 

“Asteroid City”. DP: Robert Yeoman. Camera: ARRICAM ST and ARRICAM LT. Lenses: Cooke S4, ARRI Master Anamorphic

 

“Barbie”. DP: Rodrigo Prieto Format. Camera: ARRI ALEXA 65. Lenses: Panavision System 65

 

“The Bikeriders”. DP: Adam Stone. Camera: Panavision Millennium XL2. Lenses: Panavision G-Series

 

“The Boys in the Boat”. DP: Martin Ruhe. Camera: Sony VENICE, Z-CAM. Lenses: ARRI Alfa Anamorphic

 

“Cassandro”. DP: Matias Penachino. Camera: ARRI ALEXA Mini LF. Lenses: Panavision H Series

“La Chimera”. DP: Helene Louvart. Cameras: ARRICAM LT, ARRIFLEX 416, Bolex 16mm. Lenses: ARRI Ultra Primes

“The Color Purple”. DP: Dan Laustsen. Camera: ARRI ALEXA Mini LF. Lenses: ARRI Signature Primes

“Ferrari”. DP: Erik Messerschmidt. Camera: Sony VENICE 2. Lenses: Panavision Panaspeed

“Foe”. DP: Mátyás Erdely. Camera: ARRI ALEXA 65. Lenses: ARRI DNA

 

“Infinity Pool”. DP: Karim Hussain. Camera: ARRI ALEXA Mini. Lenses: Canon K-35, Angenieux 25-250 Zoom, Helios 44, Laowa 12mm, Laowa Macro Probe 24mm

 

“John Wick 4”. DP: Dan Laustsen. Camera: ARRI ALEXA Mini LF. Lenses: ARRI Alfa Anamorphic

“The Killer”. DP: Erik Messerschmidt. Camera: RED V-Raptor, RED Komodo. Lenses: Leica Summilux-C

“Killers of the Flower Moon”. DP: Rodrigo Prieto. Camera: ARRICAM ST, ARRICAM LT, Sony VENICE, Vision Research Phantom. Lenses: Panavision T Series Anamorphic, Petzval Anamorphic

 

“May December”. DP: Christopher Blauvelt. Camera: ARRI ALEXA 35. Lenses: Kowa Cine Prominar

“Napoleon”. DP: Dariusz Wolski. Camera: ARRI ALEXA Mini LF. Lenses: Panavision 65 Vintage, Angénieux EZ zooms

“Nyad”. DP: Claudio Miranda. Camera: Sony VENICE 2, Sony FX3. Lenses: ARRI Master Primes, Fuji Zooms

“Oppenheimer”. P: Hoyte van Hoytema. Camera: IMAX MKIV, IMAX MSM 9802, Panavision Panaflex System 65 Studio. Lenses: Hasselblad, Panavision Sphero 65, Panavision System 65

“Past Lives”. DP: Shabier Kirchner. Camera: Panavision XL2. Lenses: Panavision Vintage, Panavision Ultra speed, Primo Zooms

“Perfect Days”. DP: Franz Lustig. Camera: Sony VENICE 2. Lenses: Canon K35 TLS rehoused

“Poor Things”: DP: Robbie Ryan. Camera: ARRICAM ST, ARRICAM LT. Lenses: ARRI Master Zooms

“Priscilla”. DP: Philippe Le Sourd. Camera: ARRI ALEXA 35. Lenses: Panavision Ultra Speed

“Rustin”. DP: Tobias Schliessler. Camera: ARRI ALEXA Mini LF. Lenses: ARRI DNA

“Saltburn”. P: Linus Sandgren. Camera: Panavision Panaflex XL2. Lenses: Panavision Primo Primes

“A Thousand and One”. DP: Eric K. Yue,. Camera: ARRI ALEXA Mini. Lenses: Panavision Super Speeds, Panavision Primo

“The Zone of Interest”. DP: Łukasz Żal. Camera: Sony VENICE. Lenses: Leitz M